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The Inconvenient Truth about Ten Inconvenient Truths about piracy.

daniel on Jun 1st 2007

From an Ars Technica story, comes these ten inconvenient “truths” per the IFPI.

1. Pirate Bay, one of the flagships of the anti-copyright movement, makes thousands of euros from advertising on its site, while maintaining its anti-establishment “free music” rhetoric.

Probably. But to clarify, do the profit from it, or do they simple make enough money to cover the server and bandwidth related stuff? That’d be a nice question to answer. In any case, tPB’s rhetoric is its own, and I doubt many people who use it to facilitate their downloading actually care about the rhetoric.

2. AllOfMP3.com, the well-known Russian web site, has not been licensed by a single IFPI member, has been disowned by right holder groups worldwide and is facing criminal proceedings in Russia.

True. AllofMP3 is pretty much a skank joint, and if you’re buying music from them, you might as well just download it via The Pirate Bay.

3. Organized criminal gangs and even terrorist groups use the sale of counterfeit CDs to raise revenue and launder money.

This may be true, though who really knows. In any case, physical piracy is another beast altogether from digital piracy, and I’m not sure why it’s included on the list. You might remember that no one really (with the exception of the Pirate Bay and the people who index trackers) makes any money from digital piracy.

4. Illegal file-sharers don’t care whether the copyright-infringing work they distribute is from a major or independent label.

Doubtful, but what’s the point here? That people aren’t all a bunch of RIAA-boycotting freedom fighters? Sure. Free music is free music.

5. Reduced revenues for record companies mean less money available to take a risk on “underground” artists and more inclination to invest in “bankers” like American Idol stars.

Absolute hogwash of the worst kind. Record labels are some of the most conservative companies in the world. They’ve always been reticent to develop new artists vs milking cash cows, from the 1930s to today. If piracy went away this very minute, they’d still be doing it, because they’re entrenched companies and are scared of change.

6. ISPs often advertise music as a benefit of signing up to their service, but facilitate the illegal swapping on copyright infringing music on a grand scale.

Good, shoot the messenger. Is it not true that bandwidth providers also facilitate people downloading from iTunes and its ilk as well? Clearly these monsters must be stopped!

7. The anti-copyright movement does not create jobs, exports, tax revenues and economic growth–it largely consists of people pontificating on a commercial world about which they know little.

And here, ladies and gentlemen, is why so many people hate labels and copyright organisations. Because they don’t like anything that comes between their hand and your pocket. They don’t like piracy because it costs them money. They don’t like the internet because it makes sharing trivial and breaks up the cartel on physical distribution. They don’t like copyleft and Creative Commons because you generally don’t have to pay for these things, and because if there’s an ecosystem of free music out there, that means less revenue for the labels.

8. Piracy is not caused by poverty. Professor Zhang of Nanjing University found the Chinese citizens who bought pirate products were mainly middle- or higher-income earners.

Are you telling me that poor Chinese farmers with a subsistence living aren’t interested in downloading music from the internet? I’m socked. Shocked!

9. Most people know it is wrong to file-share copyright infringing material but won’t stop till the law makes them, according to a recent study by the Australian anti-piracy group MIPI.

This is partly true. The reality is, however, that even laws won’t stop them, because guess what, there are simply too many people for the law to deal with. Even in the US, where the most strict laws ever are in effect and the most piracy happens. Period. PS: A study by a group with a particular bias comes out supporting that particular bias? You. Don’t. Say.

10. P2P networks are not hotbeds for discovering new music. It is popular music that is illegally file-shared most frequently.

Which is what the labels fear the most. The most popular music is their cash-cow. Their big revenue stream. They don’t actually care about independent music as you might think from point number 4. What they actually care about is money. Pure, hard cash. And they’ll do anything (from suing their own customers to lobbying and bribing the US congress and by extension the world to making ever so slightly deceitful lists of “truths” to support their viewpoints) to make sure that these cash-cows are protected.

Not that there’s anything wrong with that, of course. If you can get away with selling crap to people for $20 a pop, by all means, it’s a free country. But if it stops becoming a free country because you want to protect a revenue stream instead of inventing new revenue streams, then at least let’s stop wrapping the truth up in frilly pink dresses.

I mean, record labels can call pirates leeches who eat from their revenue streams, and the pirates can call labels leeches who bottomfeed off culture itself, but that doesn’t mean that it’s a binary issue where one side is right and the other wrong.

Call a spade a spade: they’re both wrong, they’re both scum, and they both deserve to disappear, both labels and pirates.

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